nights in white satin wiki

Riders entered through a bead curtain and were provided with 3D glasses. Gerry & The Pacemakers – Nights in White Satin Take your favorite fandoms with you and never miss a beat. 1967 So as a joke (they appear not to have been a very serious band), they put the famous sentence on the cover. First released in November 1967, Nights In White Satin was a masterpiece that bridged pop and symphonic prog, with a lyric ripped directly from Hayward’s personal life – it finds him caught between ecstasy and despair, ruing the end of one love affair while embarking on another. In the United Kingdom, it failed to enter the chart. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 version of the LP recording with very noticeable chopped parts. Donald Braswell II on his 2011 album, Unchained After two weeks at #2, it was replaced by "I'd Love You to Want Me" by Lobo. Some versions, instead of ending cold as most do, segue briefly into the symphonic second half ("Late Lament"), and, in fact, run for 4:33 (but are also listed on the label as 3:06). It was the first significant chart entry by the band since "Go Now" and the recent lineup change. 5 Chart performance 5.1 Weekly singles charts Director Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2's "Sold on Song Top 100" list. 4 Personnel Nights in White Stain features close ups of Sandra's face, who was pregnant at the time ,interspersed with scenes of Indian woman remembering her man who was killed in a battle. The vid is remarkable on two fronts: first, it uses, with powerful effect, the same song that appeared in the episode "No One Gets Out of Here Alive", during the climactic confrontation scene between Vinnie Terranova and Sonny Steelgrave. Director Carlos Futura Sound Fantasy album 1979 Visual effects, digital CGI and special effects were designed, produced, and installed by Attraction Design Services; ride vehicles were from ETF. This song is featured in Deuce Bigalow: European Gigolo when Deuce gets high on space cake. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology. When first released in 1967, the song reached #19 on the UK Singles Chart. Additional personnelPeter Knight and the London Festival Orchestra - orchestral arrangements, UK Singles (Official Charts Company)[14] Beavers (サテンの夜 on their Viva! You could also do it yourself at any point in time. Lucie Bílá "Noc je jak satén" – Czech version (1998) Billboard [20] 32 There are two single versions of the song, both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The orchestral ending is kept intact, but recording engineers have completely edited out the gong (struck by Mike Pinder) that closes the track on the original LP. When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". )[23], German Singles Chart 86 Song recordings produced by Michael Cretu, https://pop-culture.fandom.com/wiki/Nights_in_White_Satin?oldid=24296. Bermuda Triangle Band (Bermuda Triangle album, 1977) Most single versions were backed with a non-LP B-side, "Cities". The chapter begin with the summer in the countryside, an old man, who is reveal to be Katsuragi Denma try to creates a pot. The song was released as the lead single in the spring of 1995 (see 1995 in music), although it failed to match the success of Sandra's previous singles. Year The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. 1979 Label Sandra Riders entered through a bead curtain, were provided 3D glasses, and upon return were greeted: "how was your Trip?". This song is featured in the Fringe episode "In Absentia", appearing in the background as Walter Bishop addresses his future self on a video tape. "Nights in White Satin" is a 1967 single by The Moody Blues, written by Justin Hayward and first featured on the album Days of Future Passed. John Lodge - bass, backing vocals So, as a joke (they appear not to have been a very serious band), they put the famous sentence on the cover. The song was released as the lead single in the spring of 1995 (see 1995 in music), although it failed to match the success of Sandra's previous singles. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". [citation needed], The attraction operated as "The Trip" for the single 2008 season the park operated as Hard Rock Park, but was rethemed with the sale and retitling of the park; "park officials said the experience will be similar but the presentation will be changed."[5]. It is in the key of E minor, and features the Neapolitan chord (F). Mike Pinder - mellotron, backing vocals, narration (on "Late Lament"), gong Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4]. Year James Last (Instrumental) 1991 Will Martin (Inspirations album, 2010) The London Symphony Orchestra (Classic Rock album, 1977) The song was released as the lead single off Fading Shades in the spring of 1995 and failed to match the success of Sandra's previous singles. Patricia "Mes rêves de satin," French version (1968) YouTube, Nights in White Satin From 1992 through the early 2000s, the Moody Blues toured with shows backed by live orchestras. 3 False claim of authorship For the second edited version (with the song's writing credited to Hayward), the early parts of the song were kept intact, ending early at 4:26. Artist "Nights in White Satin" is a 1967 single by The Moody Blues, written and composed by Justin Hayward and first featured on the album Days of Future Passed. It is in the key of E minor,[2] and features the Neapolitan chord (F). The Dickies (Dawn of the Dickies album, 1979) Theme / Concept In the United Kingdom, it failed to enter the chart. Artist However, there are many versions of the single that are listed on the labels at 3:06, but in fact are closer to the later version of 4:26. Actually, "Les Jelly Roll" was a French band who did this cover of the Moody Blues song, and had the opportunity to release it in Italy, on Ricordi (an Italian record label), a few months before the original was released there. Music Video Wiki is a FANDOM Music Community. Zeds Dead (Dubstep Remix 2010) Elkie Brooks (UK #32 Chart Hit 1982) (Pearls II album, 1982) Crossi (Sooty and Tonto Love Mix) (single 1996) Theme / Concept Panama single, 1977 Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect. It was produced by Michael Cretu and received mixed reception from music critics. False claim of authorship – Les Jelly Roll. Take your favorite fandoms with you and never miss a beat. It also reached #1 in Canada. The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the "final lament" section, all of which were in the original album version. The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". The music video, directed by Angel Hart, showed only close ups of Sandra's face as she was pregnant at the time. Artist On these occasions, Edge recited it himself since Pinder was not in the band at that point. (Note that the Fading Shades album cover was taken from the music video. Billie Davis (Decca F12977, single, 1969) Blumfeld (B-Side of Single Tics and live performances) ^shipments figures based on certification alonesales+streaming figures based on certification alone. Deborah Sasson (de) on her 2004 album Pop Classics "Nights in White Satin" is a dance-pop cover version performed by German singer Sandra. The work was reinterpreted as the focus of Nights in White Satin: The Trip, a dark ride at the Hard Rock Park theme park in Myrtle Beach, South Carolina, U.S.A. This song is featured in Bertrand Bonello's 2011 film, This song is played over the opening credits of Tim Burton's 2012 film, This song is featured in the Heath Kirchart segment in the 2001, This song featured in, "Dark Shadows" 2012, "Nights in White Satin" (techno mix) – 5:29, "Nights in White Satin" (club mix) – 6:05, "Nights in White Satin" (jungle mix) – 6:09, "Nights in White Satin" (dub version) – 4:02. )[6], False claim of authorship – Les Jelly Roll. The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. But fail in the end, as he frustrate at his failure and begin to give up, he suddenly grab one pot and realise that he has succeed. New Zealand RIANZ Singles Chart[24] 34, Franck Pourcel (Instrumental) 1967 Collide (These Eyes Before album, 2009)[28] When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". The first edited version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 version of the LP recording with very noticeable chopped parts. Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology. U.S. Riders entered through a bead curtain, were provided 3-D glasses, and upon return were greeted, "how was your Trip?" Samael Lilith "Nights in White Satin," (single, 1970, Australia) It fared much better in Israel and Finland, and was also a top 10 airplay hit in Poland. The "orchestral" sounds in the main body of the song were actually produced by Mike Pinder's Mellotron keyboard device, which would come to define the "Moody Blues sound". Powers of The Monk (Killing Time album, 2009) On these occasions, Edge recited it himself since Pinder was not in the band at that point. The attraction, which included 3D-black light and fiber-optic lighting effects and purpose-made films, was developed by Sally Corporation and Jon Binkowski of Hard Rock Park. [45] The Moody Blues recording of the song was featured prominently in the soundtrack, particularly during a rooftop dance sequence. Some versions, instead of ending cold as most do, segue briefly into the symphonic second half ("Late Lament") and, in fact, run for 4:33 (but are also listed on the label as 3:06). This is the title song of the now obscure 1987 TV movie "Nights in White Satin". The song also holds the dubious distinction of the highest complete Hot 100 disappearance from the pre-digital download era, vanishing entirely from the chart after falling to #17. From 1992 through the early 2000s, the Moody Blues toured with shows backed by live orchestras. Rock Goddess (Live performances) It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. This song is featured in Martin Scorsese's 1995 film Casino. (1968) " Nights in White Satin " is a song by the Moody Blues, written and composed by Justin Hayward. Some versions, instead of ending cold as most do, segue briefly into the symphonic second half ("Late Lament"), and, in fact, run for 4:33 (but are also listed on the label as 3:06). This spurious claim seems to have arisen from the discovery of a 7" single by The Jelly Roll which carries the words "This is the original version of Nights in White Satin" on the label. Declan Galbraith (Thank You album, 2006) (Note that the Fading Shades album cover was taken from the music video.)[6]. On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1 ("The Day Begins"). The song entered the Top twenty in Finland and Australia, but in Germany, it reached a peak of eighty-six, becoming her least successful lead single in that country to date. The song is featured in the Wiseguy episode "No One Gets Out of Here Alive", in the climactic scene between Vinnie Terranova and Sonny Steelgrave. A cover version of "Nights in White Satin" was released by the German singer Sandra on her sixth studio album Fading Shades (1995). U.S. Cash Box Top 100 [17] 1, Australia [18] 39

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